Saturday, 25 April 2015

1b) Analyse one of your productions in terms of narrative

Narrative enables the audience to read and make sense of a text, essential for any media piece. My foundation portfolio was a film opening in the genre horror. I am going to talk about four different ways in which narrative applied to my work. 

The theorist Todorov broke down the concept of narrative that could be applied to any text: from equilibrium to disequilibrium to a new equilibrium. Although my film opening was only two minutes long, their was evidence of at least the first two stages of Todorov's idea through my use of music. At the beginning, calming, slow and sweet piano music can be heard as an innocent looking artist is setting up her studio to paint. This state of peace and equilibrium is present until the music and shot changes with black and white cross cutting of someone burying a plastic bag. With this dramatic visual change, there is also a change in the music. A sinister sounding musical piece can be heard over top, with eerie tweezing birds and thunder adding drama.  This change in the mood of the film alarms the audience, leaving the idea of why has this drastic altercation occurred? 

Character typology plays a key part in narrative as Propp established a number of character types, classic to a range of texts. In my film opening, it was obvious a villain had been introduced through the use of blood splattering and the burial of a plastic bag. However, not so sure as to who is this villain.

Our understanding of the word "villain" depends on the difference between that word and the opposing word "hero". Strauss’s Binary oppositions are used often in the horror genre to give the audience a form to work against. I used the typical good vs. evil concept which was well displayed through the innocent act of painting, and contrastingly, the suspicious burying of plastic bags to the alarming use of a bloody knife, making the possibility of an evil character more prominent. Black and white plays a key part in expressing this parallel narrative as it shows them as unconnected, although the audience can work out this puzzle of how the narrative fits together. 

One of the other elements of the horror genre is the enigma that attracts the audience. Roland Barthes’ enigma code applies to my film opening as the audience is trying to solve the mystery of the identity of my villain. This complex plot line is expressed clearly through my use of cross cutting, allowing the audience to view both parallel narratives of the villain's and possible hero. Although, a question still remains as to whether the villain is my artist, or if she is in trouble. This engages the audience and allows them to solve the puzzle which we, as viewers love to solve.


In conclusion, narrative was necessary as it is the way for audiences to be able to watch a film because our lives work in a similar way of events happening in concession. I displayed a typical narrative of my horror genre through the use of good vs. evil which enabled the audience to engage to the piece through fear.

Thursday, 9 April 2015

List of Theorists/theories

David Gauntlett
-"Identity is complicated, everyone thinks they've got one"

David Buckingham
-"Identity is an ambiguous and slippery term"

Anthony Giddens
-"What to do? How to act? Who to be?"
-theory of structuration, whereby individuals are shown to have the power to make changes and influence society as well as large powerful organisations such as governments and the mass media.

Michael Foucault
-techniques of the self
-identity is not a fixed thing within a person. Identity is conveyed through our interactions with other individuals, following a set of rules.

Judith Butler
-Gender doesn't exist.

Barthes
-Enigma Code - a part of the story that the audience strives for to be achieved/solved
-Semiotics - connotations of signs and symbols eg. Pink often used to represent female, blue male

Male Gaze
-Laura Mulvey
-camera is often positioned to reward the point of view of the male viewer, who is able to voyeuristically gain visual pleasure from viewing female characters in this way.


Marxism
-POWER

Uses & Gratifications - Blumler & Katz
-audiences use media texts = RIDS
R=create personal relationships with characters
I=having the media confirm our reality trough it being relatable reaffirming our identity
D=diversion, a form of escapism so we can forget about the present
S= surveillance, people feel better knowing they know what is going on in the world

Hypodermic Syringe
-mass media has a powerful effect on audiences
Hegemony

-things assumed by a large group, that conforms to conventions. ie. all women belong in the kitchen